19.3.07

WITCHES WITH DICKS – Manual CD (Kiss of Death Records)

First things first, that name: “Witches With Dicks” is a terrible, terrible band name, yet there's no denying that it conjures up quite a vivid image in the mind's eye. An image of witches... but with dicks. You can see them, can't you? Ugly, wart-ridden hags with penises exposed, flopping around outside their cowls? Ick. With a name like that you might expect a horrible goth-stained doom rock nightmare or a sub-Blink 182 jock pop-punk band with “hilarious” lyrics. Would you be right? Let's find out!


Musically there's nothing new on Manual, just straight-up melodic punk rock. This album could have been released 10-15 years ago and even then it wouldn't have been particularly original. And lyrically there's also nothing you haven't heard before – fucked up kids, fucking the cops, fucked up lives, fucking your job, fucking disillusionment... with copious usage of the word “fuck”, natch.


So, a boring, lazy, uninspiring album that's not worth bothering with then, right? Wrong! Ha ha ha, see how I trick you! It's time for the old switcheroo! The pull-back-and-reveal! See, this album is one of the best I've heard since, ooh, the Great St Louis album at least.


Just because Witches With Dicks haven't broken new ground musically it doesn't mean they aren't any good. Quite the opposite: they are fucking, fucking great. Much like Long Island favourites Latterman, what Witches With Dicks lack in originality in their music and lyrics they more than make up for with enthusiasm, passion and damn good songs, bringing to mind 'Midwestern Songs'-era Dillinger Four, early Jawbreaker, and every band that Aaron Cometbus has ever been in - sloppy, poppy punk rock that sounds as if it could collapse into a giant mess with a gentle prod, yet which still manages to remain catchy, melodic and instantly memorable.


With ten tracks in less than 20 minutes, and not one song reaching the 2 minute 30 mark, Manual is like a shot of pure punk rock straight from their hearts to your ears. There seems to be a resurgence in decent American pop-punk at the moment, and this album is up there with the very best of it. Ignore the slightly dodgy band name and enjoy the very excellent music.

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